The artist proposes a series of equestrian sculptures to which he has eliminated the rider or male figure with a radial, showing only the saddle, stirrups and boots on the horse’s back.
only the saddle, stirrups and boots on the horse’s back. The artist seeks to readjust historical periods in which the creation of heroes and the exoticism of the creation of heroes and the exaltation of leaders in which their supposed prowess was
their supposed prowess and prowess and concealed their mistakes and disasters. This modification and, therefore, disdain for this glorified representation of the horseman this glorified representation of the horseman allows him to speak of the
past but also of the present, generating a parallelism with today’s current political leaders, but without losing any of the aural sensation that aura that the classical sculptures culturally refer us to.
(Extract from Adonay Bermudez text)
