THE END OF HISTORY

The End of History is a series of pieces that is focused on the revision of the History of Humanity’s resistance, taking images that in some way have marked our lives, iconic visual references. In a post-democratic world, where ideologies, as Fukuyama says (The End of History and the Last Man, 1992), no longer have a place, where wars are more tariff than bloody, the space for resistance is found in science and culture.
In these feathers, with a ridiculous value, without weight, without corporeality, we see scenes of struggle and resistance of various kinds, from Black Power to the struggles for the climate, passing through the Carnation Revolution, the demonstrations for the death of masha Amini, or the fall of the Berlin Wall among others. Images as icons to be consumed, (Iconofagias, Ivan de la Nuez, 2024), which mark a sort of visual atlas of our time and represent the capacity of human beings to change their time and their environment, their space and, in short, the capacity to be able to change History.